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I used to get a sort of sociophobia, and i still get it sometimes these days when i'm in a confined space with too many people. it's not like i freak out or anything, it's just that i'm far more comfortable in my own company sometimes than being surrounded by one thousand strangers.

-Ryan Kwanten

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I Used To Get A Sort Of

Ryan Kwanten

I used to get a sort of sociophobia, and i still get it sometimes these days when i'm in a confined space with too many people. it's not like i freak out or anything, it's just that i'm far more comfortable in my own company sometimes than being surrounded by one thousand strangers.

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    <p style="font-size: 1.2rem; font-style: italic; margin-bottom: 10px;">"i used to get a sort of sociophobia, and i still get it sometimes these days when i&#039;m in a confined space with too many people. it&#039;s not like i freak out or anything, it&#039;s just that i&#039;m far more comfortable in my own company sometimes than being surrounded by one thousand strangers."</p>
    <footer style="font-size: 1rem; font-weight: bold;">— Ryan Kwanten</footer>
    <p style="margin-top: 15px; font-size: 0.85rem;"><a href="https://www.pjdigitalmarketing.com/quote/i-used-to-get-a-sort-of-sociophobia-and-i-still-get-pnw5i" style="color: #8b5cf6; text-decoration: none;">View this quote on Www.pjdigitalmarketing.com</a></p>
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Space People Freak

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Leonardo is the most incredible actor, on the planet, with a couple of people alongside him. getting to act with him is just [amazing]. i walked away from my audition for that and i couldn't believe that i'd been acting with him. i've worked with amazing people, but my friends freak out that i'm working with him. i freak out in a geeky acting way. they freak out in a starstruck way. he's leonardo dicaprio, and his fame is so big. that's a complete tangent about that.

...nameless, unknown to me as you were, i couldn't forget your voice!' 'for how long?' 'o - ever so long. days and days.' 'days and days! only days and days? o, the heart of a man! days and days!' 'but, my dear madam, i had not known you more than a day or two. it was not a full-blown love - it was the merest bud - red, fresh, vivid, but small. it was a colossal passion in embryo. it never returned.

But as van casually directed the searchlight of backthought into that maze of the past where the mirror-lined narrow paths not only took different turns, but used different levels (as a mule-drawn cart passes under the arch of a viaduct along which a motor skims by), he found himself tackling, in still vague and idle fashion, the science that was to obsess his mature years - problems of space and time, space versus time, time-twisted space, space as time, time as space - and space breaking away from time, in the final tragic triumph of human cogitation: i am because i die.

I thought marcus was going to be in my life forever. then i thought i was wrong. now he’s back. but this time i know what’s certain: marcus will be gone again, and back again and again and again because nothing is permanent. especially people. strangers become friends. friends become lovers. lovers become strangers. strangers become friends once more, and over and over. tomorrow, next week, fifty years from now, i know i’ll get another one-word postcard from marcus, because this one doesn’t have a period signifying the end of the sentence. or the end of anything at all.

When you're in a start-up, the first ten people will determine whether the company succeeds or not. each is 10 percent of the company. so why wouldn't you take as much time as necessary to find all the a players? if three were not so great, why would you want a company where 30 percent of your people are not so great? a small company depends on great people much more than a big company does.

Some days felt longer than other days. some days felt like two whole days. unfortunately those days were never weekend days. our saturdays and sundays passed in half the time of a normal workday. in other words, some weeks it felt like we worked ten straight days and had only one day off.

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