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I think i would have been so much in awe of the movie set, the people and what everybody's job was, that i don't know if i would be able to concentrate on the character.
-Daisy Fuentes
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I Think I Would Have Been So

Daisy Fuentes
I think i would have been so much in awe of the movie set, the people and what everybody's job was, that i don't know if i would be able to concentrate on the character.
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Jobs Fear Character

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Then suddenly the mole felt a great awe fall upon him, an awe that turned his muscles to water, bowed his head, and rooted his feet to the ground. it was no panic terror - indeed he felt wonderfully at peace and happy - but it was an awe that smote and held him and, without seeing, he knew it could only mean that some august presence was very, very near.
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Awe is an intuition for the dignity of all things, a realization that things not only are what they are but also stand, however remotely, for something supreme. awe is a sense for transcendence, for the reference everywhere to mystery beyond all things. it enables us to perceive in the world intimations of the divine. ... to sense the ultimate in the common and the simple: to feel in the rush of the passing the stillness of the eternal. what we cannot comprehend by analysis, we become aware of in awe.
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It's not my job. the weinstein company, it's their job to convince people. my job was to make the movie. that's what i did. i know what we did in france was to have the maximum screenings just to let people talk about the movie and say they enjoyed the movie.
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With dawn i was afraid people would just think it's a b-movie and i didn't know what i was doing. that's really what i was afraid of. like the subtlety of the movie they would miss. if the movie succeeds, it's that people understand the subtlety. that they're able to see past the conventions of what they think a movie is and go a teeny bit deeper and let it be both.
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The first thing that happens is the cleansing of the former character. i don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
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I don't know what the misconceptions are, but i approach a small budget, artsy, independent movie in the same way as a big budget, commercial hollywood movie. i don't get into those [details]. i have to get into my character and i concentrate on that, on the story, on researching, and on certain training if i have to be prepared physically. i think that's the most important thing.
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